Archive for the 'Well-Being' Category

KARAOKE MINDIFICO

THE SPENCE AND THE GIB

The Spence and the Gib from Jordan Dykstra on Vimeo.

Video doc­u­men­ta­tion of the Matthew and Laura’s wed­ding on May 17, 2008. Photo doc­u­ments can be found here.

OK FEEL GOOD

Jonathan NewmanA few weeks ago in my com­po­si­tion class at PSU, my pro­fes­sor intro­duced us to a piece called OK FEEL GOOD by a com­poser named Jonathan Newman. I was instantly taken back by it. The piece was writ­ten, as Newman states in the notes of the score, dur­ing “a year of some­what intense per­sonal dis­tress, and I was extremely tired of feel­ing bad, so I decided to write a very happy piece.”

To me it’s an amaz­ing work, full of lush melodic color and pul­sat­ing with rhyth­mic motion. I specif­i­cally state this because the motivic mate­r­ial is writ­ten in a some­what odd meter. It starts with a bar of 7/16, goes into a bar of 3/8, back into another bar of 7/16, and then fin­ishes with two bars of a more com­mon 3/4. But it man­ages to flow very well. It has many moods, no doubt due to the fact of his inten­tional tran­si­tion from dark to light, and it’s easy to her his love of jazz rhythms, per­cus­sion, and Gershwin. It’s warm and very ten­der at times, extremely sexy at oth­ers, and it reminds me a lot of a Don Ellis com­po­si­tion. It’s rad.

The seven and a half minute long com­po­si­tion was writ­ten for the Aspen Contemporary Ensemble and debuted on July 12, 1996 at the Harris Hall as part of the world renowned Aspen Music Festival. The orches­tra­tion is for a small six per­son cham­ber group: Flute (dou­bling Piccolo), B-flat Clarinet (dou­bling Bass Clarinet), Violin, Cello, Piano, and Percussion (Crotales, Xylophone, Vibraphone, Marimba, Triangle, Suspended Cymbal, Conga).

Finally I would also like to men­tion that Mr. Newman is part-founder and mem­ber of the BCM International, a con­sor­tium of four com­posers: Newman, Jim Bonney, Steven Bryant, and Eric Whitacre, who was the artist in res­i­dence at the APU School of Music two years ago. He adapted ideas and themes from Milton’s epic poem to a mul­ti­me­dia opera/dance/stage per­for­mance with live and pre­re­corded music and enti­tled it Paradise Lost. Interesting idea, sort of trendy out­put. Anyway I thought it was cool that they all work together and pro­mote each other. Something of a no brainer but refresh­ing to see for two com­posers that I had no idea were connected.

POST-YEAR’S NEW EVE RECAP

GETS UNRECOVERED

Gets Unrecovered cover.jpg

Bam! Check it out!

RECORD / MOVE

Dated news for some, new for oth­ers, I moved:

425 se 3rd ave #208
port­land, or 97214, usa

and I’m finally mak­ing my first Dash! record:

Titled Gets Unrecovered, it’s a col­lec­tion of some of the new, some of the old. Eleven tracks, also show­cas­ing a kind, bonus ele­ment includ­ing a Crystal Seth -> Righteous jam and a few selec­tions from a film score that I am excited about/equally proud of. It should be ready for release, via Marriage and The Prescott Family next Wednesday, coin­ci­den­tally when I fly back to my parent’s house, and my home­town, of Sioux City.

Lots to come in the near future includ­ing a The Righteous and Harmonious Fists Tour tour blog as well as some fat videos when I treat myself to a Christmas present of a dig­i­tal cam­era, or maybe a cat, I haven’t decided yet1. Also, I’ve been think­ing deeply about going into a clas­si­cal com­posers bend of in-depth research/background/history alpha­bet­i­cally and vibeing on some shit of their’s when it hits me hardest…we’ll see, maybe a new years res­o­lu­tion, amongst oth­ers. Hope you dig it. Also, a top 10 albums/movies of the year vid/pod-cast…on it!

1 Well, actu­ally I kinda have…realistically, a exter­nal hd. ya know? shit! that’s the mar­ket to be in these dayz, damn.

With Or Without You: Frames

Part 1

So on my first day of school I wake up, begrudg­ingly, on time and reach over to grab my glasses and they’re gone.

What the hell?

But then remem­ber that I watched an episode of Peep Show on my com­puter, lying down on my bed right before I went to sleep.

Well damn-it, they gotta be around here somewhere!

I start search­ing my floor. Unfortunately my floor, which is wood and cov­ered with a dark brown rug, is the same color as my specs and I have to shuf­fle my socks so I don’t step on them. Nothing. I get down on my stom­ach and try to look hor­i­zon­tally at the ground and see them peek­ing up. Nothing. I tear my bed apart.

Are they folded in the sheets? Stuck in a pillowcase?

Nothing. So now I’m kinda feel­ing defeated, still really tired, and the bril­liant idea came into my head…

What if I reen­act the scene, maybe then I’ll get a bet­ter idea of where to look deeper.

So I doze pretty quickly, almost sure that they’ll just show up in my hand when­ever I decide to wake.

(2 hours later)

Nothing. Things start to get very frus­trat­ing for me. I’ve now missed my first class at my new school but I can deal with that, what­ever. It’s more that I’m lit­er­ally quite attached to my glasses, they have been a part of my life — my face — since I was in the 4th grade so nat­u­rally I am put in a weird posi­tion. I feel totally help­less, lazy, and a huge eye-strain headache com­ing on.

WTF?!? Why today?

So I decide to take the bus to work, I can’t drive. I adjust the com­puter mon­i­tor to the low­est res­o­lu­tion it’ll go and still scooch my nose up to the screen. But then I start to real­ize something.…

Without eye­sight, I have total free­dom. Well at least a sort of freedom…from stares, uncom­fort­able direct­ness, details.

I know I have to take advan­tage of the day, this feel­ing, and I start to enjoy being eye­less in Portland. When evening comes I play a show with Davis and Adrian at Valentines. Quietly con­tent with not try­ing to make con­tact with much more than the sounds my height­ened ears are awak­en­ing my con­scious mind to, I lis­ten to Privacy per­form one of the most beau­ti­ful shows I’ve ever heard her play. Our show is a mix­ture of me fum­bling a bit on an old Casio key­board and clos­ing my eyes and feel­ing my way around the elec­tronic drumpads. There’s a unseen energy that comes out when you for­get about look­ing. We were feel­ing it.

Even if I find those damn frames I think I’m gonna ride this day out sans sight

We go back to NoPo and Davis and I look around my room for a few min­utes. I’m check­ing the bath­room again, just in case, and Davis calls out “Hey, I found them.” I hear his voice as I walk down the hall. “These it?”, he says as he picks up my glasses from a milk crate next to my desk.

Yep, that’s them. But I’m just start­ing to let go.…I think I’m gonna fin­ish this day on my own.


Part 2

There was a pretty rad event last night on the 4th floor of the Oak Street Building, 16mm film loops by exper­i­men­tal short film­maker Devon Damonte and music from Michael and Curtis Knapp, Adam Forkner, and Adrian Orange. Co-presented by Marriage Records and our neigh­bor 40 Frames, it turned out to be, well, a lot like Damonte described it:

“Multiple pro­jec­tors manip­u­late hand­made cam­era­less 16mm motion graph­ics. Imagery is tex­tures and text forms rubbed from beach glass frag­ments onto var­ie­gated grids of engi­neer­ing plot­ting papers. Magical con­tact plas­tics, pho­to­copies and lots of adhe­sive tape are also involved.”

Read more about one of the films that was shown, “Radioactive Spider”, in an inter­view from 2002.

Here is a short video mon­tage of the event:

In The Key Of Gnocchi

I’ve been lucky enough to have access to fresh pro­duce from a com­mu­nity sup­ported farmshare my friends Mike and Christy are a part of while they’re gone: The 47th Ave Farm. Last week I received turnips, baby red pota­toes, fen­nel, arugula, mixed salad greens, baby onion, gar­lic, farm eggs, and a strange goat cheese vari­ety. All fresh, all organic, and all cut the day of pick-up. The farm is local and this is def­i­nitely some­thing I look for­ward to invest­ing in in the near future.

Using the baby red pota­toes I was able to make a dish I from a recipe I recently found in The Oregonian FoodDay sec­tion from July 10. Written by Leslie Cole, the arti­cle was called “A Knack for Gnocchi” and the dish took about 3 full hours to pre­pare but yielded one of the most sat­is­fy­ingly light lunches I’ve ever assem­bled. Surprising since it’s really just pota­toes and flour, but as usual it’s all about the process.

Reminiscent of pasta, Wikipedia states that gnoc­chi, pro­nounced “no-key”, is the “Italian word for dumplings”. If you decide to try the dish, I rec­om­mend work­ing with a part­ner and using “light flour and a light touch”. The fresh tomato sauce is super easy and deli­cious, espe­cially with some fresh basil, but don’t for­get that it has to sim­mer for 45 min­utes. I didn’t have a food proces­sor and so did not get a chance to make the Arugula Pesto but sub­sti­tuted it for an aver­age pow­dered pesto mix.

Finally, if I had to do some rec­om­men­da­tions they would be as fol­lows,
Music: Don Ellis “Live at Montreux“
Beverage: Guayaki “Magical Mint” Yerba Mate
Day of the Week: Sunday
Time of day: 12:30PM
Accompaniments: Light salad with bal­samic vinegar

Not Hot Smoke (Ciggy Puffs, Fuck Off!!!) 2007 Full Body Tour

So for those of you who did not know, today is day 3 of my indef­i­nite “Not Hot Smoke (Ciggy Puffs, Fuck Off!!!) 2007 Full Body Tour”. I’ve thrown in the damp stinky towel of cig­a­rettes. And I didn’t do it for Lent, I didn’t do it for Jesus, I didn’t do it for my Mom, I’m doing it for myself. There are some obvi­ous rea­sons and some not-so-obvious rea­sons for my sched­uled deci­sion and I’d like to tell you some details.

First of all, Brother Caleb kicked me down with some infor­ma­tion about the Georgia Tobacco Quit Line (1–800-NO-BUTTS) which is a government-run pro­gram that sets you up with quit­ting plan (mostly a date), a coun­selor (not annoy­ing at all, in fact, mine was very com­fort­ing to talk to and kept it real), and pro­vides healthy men­tal and phys­i­cal alter­na­tives (breath­ing exer­cises, bev­er­age switches, etc.) which means…that’s right: free patches or gum — and it’s open to peo­ple from every state, they’ll set you up with the right per­son. The GTQL has been around for three years or so and they’ve helped 35,000 or so peo­ple with their addic­tions. ANYWAY…the patches are work­ing pretty well and, when I chose July 1st for my quit date in early June, I decided to space them out since I only got one box of Step One Nicotine Tranasdermal System Patches (14 patches at 21mg each — that’s a lot of nicotine=1 1/2 packs of Parliament Lights).1 They keep a sort of “deep buzz” going all through­out the day and give your tongue a parched sense that makes water taste like gold.

Secondly, my friend (and, loosely termed, “boss” at Marriage) Curtis gave me some Nature’s Plus Tea Tree Toothpicks that not only pack a pow­er­ful punch but also help with keep­ing my hands busy dur­ing those tough crav­ings. Helps with the onion breath, too!2

And finally, as many of you know I have type 2 dia­betes which, with it’s proven links to high-risk heart dis­ease and stoke, puts me in a place where with the build up of “fatty mate­ri­als” in the lin­ing of my blood cells is akin to me already hav­ing had a heart attack (more). I don’t need no tar clog­ging up my flow, so obvi­ously it’s not a good place for a smoker to be in.

I’m really not try­ing to advo­cate quit­ting (even though the tooth­picks are nice treat for even the most smoke­less per­son), I am just ready to stop. If you have thought about quit­ting, def­i­nitely give it some seri­ous thought and pick the right time — that’s very key. I wouldn’t rec­om­mend quit­ting on an impul­sive decision.

Alright, ’nuff about all that, time for breakfast.

Love,
Jordan

1. Right on the box, it clearly states that “if you have vivid dreams, you may remove the patch at bed­time and apply a new one in the morn­ing”. Well, fuck­ing hell! Bedtime is when I’m most prone to light­en­ing up cig and so I’ve been putting on new ones before I go to bed. Thus, I have been expe­ri­enc­ing some incred­i­ble dreams! Such as a) nar­rowly divert­ing the explo­sion that an 80-year-old decrepit Jack Nicholson and I set up in a 5-star hotel ele­va­tor shaft where appar­ently Princess Diana was stay­ing, and b) not only play­ing Futsal with the Uncle Joey, Uncle Jesse, and Danny Tanner from Full House but rock­ing the goalie posi­tion as well with one assist! Seriously, these dreams are like incred­i­bly lucid, multi-sensory, technicolor-type-of-LSD-trippin’-shit. They are actu­ally turn­ing into one of the most inter­est­ing “pluses” of quitting.

2. I had ini­tially bought a large amount of cin­na­mon sticks, before hear­ing about the tooth­picks, for the same “oral fix­a­tion” rea­son. Cinnamon is a nat­ural neu­tral­izer of blood sug­ars and the sticks are pretty intox­i­cat­ing after a cou­ple of min­utes when some of that saliva gets soaked in and you get real juicy squirts. On a side-sided note, Isucked my thumb when I was a lit­tle to middle-aged kid and have be enticed by sim­i­lar actions ever since. When I was six or seven the thumb-sucking got so bad my front teeth were start­ing to come in wrong and my mother had to put a dis­gust­ing, ran­cid nail-polish on my thumb to get me to quit.