Let’s turn art into rent

I told Patrick I would write about this before Pitch­fork, but I didn’t get to it in time. Think­ing about High Places makes me feel very sen­ti­men­tal. I first heard High Places when they played with Lucky Drag­ons, Bobby Bird­man, and YACHT at il cor­ral. I went with Jon and we got there too early and met Jen­nifer Fodor of G-RAD (this was before G-RAD beat us) and went to an arcade. I really like High Places. They had already run out of CDRs when we saw them so I sub­sisted on down­loads from their myspace. (Later I bought this seven inch on Ancient Almanac.) But my point is that they needed to put out a legit album and the rad cuties at eMu­sic just did, 03/07 — 09/07 on eMu­sic Selects. Ok, here is the scoop. eMu­sic Selects is “a brand-new monthly pro­gram fea­tur­ing exclu­sive music from hand­picked, unsigned new artists.” Whoa! To me this sounds heart­felt. They really want to help out new artists. It ben­e­fits the artist and it ben­e­fits eMu­sic. So far I think it has worked. And guess what? February’s releases? Not only High Places, but also Breathe Owl Breathe. I’ve been really dig­ging both albums a lot and I’m going to tell you why. Or why you should buy them right now to sup­port these rad artists.

emusicselects.jpg

Now the music. High Places con­sists of Rob’s sweet beats and Mary’s ethe­real singing. Rob only uses tiny drums and shak­ers, but the sound is so full you would think there was more. There is no more! Well, there is. There is Mary’s singing. You can’t have one with­out the other. They sort of just move in your mind to be one solid noise and you for­get that shak­ers can’t sing. Or I do. Mary’s voice is always echoed in this per­fect way. You can imag­ine it. When they play she moves and dances around singing with bells around her wrist. When I say ethe­real I don’t mean ethe­real like Laven­der Dia­mond, the pace and the atti­tude is dif­fer­ent. Laven­der Dia­mond ethe­real feels del­i­cate and light. High Places ethe­real feels light, but full. Full in a lofi way or in a low tre­ble way. The best way to under­stand is to hear:

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03 Banana Slugs/Cosmonaut

(Plus High Places always favorites my pho­tos of the Mar­got and Travis.)

Breathe Owl Breathe is not an artist I was ter­ri­bly famil­iar with before I got Ghost Glac­ier EP. I knew those Michi­gan folks were deep into it, but oth­er­wise no. Ok. Imme­di­ate reac­tion: famil­iar­ity. Not famil­iar­ity like “I think I’ve heard this before”, but famil­iar­ity in the way “I think I’ve ALWAYS heard this.” It feels like a dis­tant mem­ory. A fond dis­tant mem­ory. Prob­a­bly from your child­hood. But like a pos­i­tive expe­ri­ence. Not like when you were chubby and were bad at sports. More like a sun­set or a Sun­day after­noon. I sup­pose also sen­ti­men­tal. Their music feels like a fond mem­ory. That’s the best I can say it.

Breathe Owl Breathe would be filed under “folk” I sup­pose because they play folky instru­ments. Their voices are com­fort­ing and make me weepy. Such mel­low vibes!

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04 Ghost In The Morn­ing Moon

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