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A personalized retreat.

picture-1To start, you make your­self a sand­wich. You hold it like a foot­ball, stand in the wind, and win­now the meat from the cheese, let­ting both fall limp to the sand. This is to acknowl­edge your kin­ship with the wilted kelp, which also falls that way.

Done with greet­ings and offer­ings, you set the table, face North, admit day­light and dis­cover a knob. It seems like snare, but the gods aren’t here to trap you; not today. The knob gives heat.

You put on your glasses and tuck a crowd of feath­ers behind your left tem­ple. Now blow the man down.

There is no hot water, so you float tea bags in old rain pud­dles. You’re deter­mined to see this thing through, alone. You won’t drop your skirt for any­one tonight, though you might lift it over your head and make eyeholes.

The waste bas­ket is empty—there, you’ve done it! A first beau­ti­ful line. You unfold the futon and wait. A dis­ease in the feath­ers catches your ear.

You walk out­side. It’s so dark it doesn’t seem worth it, but you think again and go inside to get the broom. You bring it out and sweep the ground, which sounds dif­fer­ent than the floor. The ground is like cracked bar­rels, and isn’t that why you came here in the first place?

You imag­ine the broom tracks in the morn­ing, like a visit from teething whales. This gives you the willies and you stop sweep­ing. Instead, you plan your morn­ing and, while you’re at it, the rest of your life. You plan to live only on apples, and on the charm of apples. That should take care of what­ever this 24 hour retreat does not.

At some point you put on sweat­pants. If your waist wanted to touch things at the stars’ radius, well bloom­ing hell, it could. Sweat­pants aren’t giv­ing, just more per­mit­ting. The rest of your clothes are fine.

In one repeat­ing motion, you make a chair with your body then try to sit on your­self. After you’ve made your­self hun­gry, you know it’s time to go.

We all want to know.

In fifth grade we hung around after school to play Sumo. We’d stuff the teth­erball under a sweat­shirt and charge ‘til the rope snatched us back. Cuffed by the invis­i­ble clothes­line. Invis­i­ble is soft, I remem­ber think­ing, while my stom­ach scaled my ribs.

Now that it’s allowed, my love’s going every which way. And each way whole, like a teth­erball sail­ing hard and light. I feel that small and hilar­i­ous, now. I want knock you over with my belly, painfully and in short range. But of course you’re all a step too far and I’m just wrap­ping myself to a pole.

There are four of you. I had to count. There is one other, pos­si­bly, and then all of you who already know it any­way. I am giv­ing it bound­lessly. Not reck­lessly, but if you’d let me. It’s why I keep cof­fee, wine and choco­late on my nightstand.

I feel expen­sive, fat with unan­swered love. My soli­tude high-ceilinged and fur­nished. I take deli­cious self-portraits, now, like a saint. Not like the years in cloth and pen.

And what’s courage? I would’ve said devo­tion, and now I sup­pose I would, too. It’s in me still, charg­ing it’s slack.

The Editor’s Five Stages of Mourning

I read it,
‘a burger
deeper than

lan­guage or
affec­tion.’
Words are laid

hair by hair,
like sewn fur.
No one lifts

the goat’s coat
to see the
handiwork,

and even
there there is
a lining.

Why can’t the
won­ders be
sep’rated?

No one wants
to split the
lark, so we

round the words
up, bury
our necks in

fur, never
know­ing what
we misread

was hunger.

The B-i-b-l-e

As a kid, cer­tain books (Jane Eyre, A Lit­tle Princess, Lit­tle Women, Girl of the Lim­ber­lost, The BFG, The Oz series, etc.) appeared and swal­lowed me whole, whales to my Jonah. I sat in the ribs’ cor­ri­dor with­out a match, lis­ten­ing to blood course through the fish. But The Good Book was some­thing else.

I was raised on the B-i-b-l-e and, when spit up by the whale, I hap­pily wan­dered its blis­ter­ing shores. With my fam­ily, in church study groups, or alone in my room, I rarely approached another book with the same eager, med­i­ta­tive diligence.

The Bible was always pre-parsed, each word a geode wait­ing to be cracked. We read verse by num­bered verse, absurdly audit­ing every phrase. This was my edu­ca­tion in seman­tics, and how I came to love the study of signs and mean­ing. I can’t help but won­der how this early, intense study has shaped the way I read and inter­pret, well…everything else.

I’m grate­ful for my time spent por­ing over scrip­ture. Despite my church’s fun­da­men­tal­ist lean­ings, I was allowed to spec­u­late. When we gath­ered in a cir­cle and dis­cussed how Deuteron­omy might apply to daily life, it was with the awed con­vic­tion that the Bible was a liv­ing, breath­ing thing; as much about our voices as its printed word. And we took it slow because, after all, it would be with us the rest of our lives.

I’m not sure when I last read the Bible. It’s weird what’s lodged in my mind, and all that’s passed through the sieve. This is the longest pas­sage I can remem­ber off the top of my head:

…in view of God’s mercy, offer your bod­ies as liv­ing sac­ri­fices, holy and pleas­ing to God, for this is your spir­i­tual act of wor­ship. Do not con­form any longer to the pat­tern of this world, but be trans­formed by the renew­ing of your mind. Then you can test and [some­thing some­thing] what God’s will is—his good, pleas­ing and per­fect will.

This was my favorite verse for years, which I had to look up just now:

I am still con­fi­dent of this:
I will see the good­ness of the LORD
in the land of the liv­ing.
Wait for the LORD;
be strong and take heart
and wait for the LORD.

What must it all sound like to other peo­ple?! Strangely, only through regard­ing the Bible as fact, or truth, can one truly inter­act with it as a poem (I think). Susan Stew­art sug­gests that we receive poems the way we receive promises,

…in the sense not of some­thing scripted or repeat­able but of some­thing that “hap­pens,” that “occurs” as an event and can be con­tin­u­ally called on, called to mind, in the unfold­ing present.

Isn’t that how we saw the Word, as one giant promise? Yet the one receiv­ing doesn’t always feel sat­is­fied. A “believer,” lay­ing her whole self before the text, may sense the imbal­ance Stew­art acknowl­edges in poetry; that “what goes out over­whelms what comes back.” For me, scrip­ture was like so much fruit sur­round­ing the stone. But what hap­pens when the stone dissolves?

I don’t miss read­ing the Bible; this isn’t about that. Basi­cally, I’ve been try­ing to under­stand my pref­er­ence for the phrase or caesura over chap­ter or prose. Recently I thought, Maybe it’s because I was taught to value the verse so much. As in, the Bible’s arbi­trary meter. Oversimplification?

Of course, the psalms and epis­tles did more to me than that. When I say the Bible taught me to read, I mean it taught me to trust fic­tions. Implic­itly. It taught me to make story my most inti­mate author­ity. And, like a poem, it’s short­com­ings shaped me, too. To para­phrase some­thing else Stew­art said, we begin to cre­ate when we feel estranged. Each bib­li­cal fail­ure to answer my pre-and-post-adolescent ques­tions allowed me to do some meaning-making of my own.

Surveying

(((Three poems inspired by remem­bered places in time)))

foundinside01

Daphne’s room, SL

could feed off that

month for years,

the time spent

sleep­ing in her bed

bat­ting at nets,

or the five

min­utes running

on a low wall

just above the afternoon

flood (a broth;

a car­cass settling

in the pot.)

.

.

Parks

there are bells

tied to everyone’s laces. every­one walks

lightly, so the short high ring

is heard as low coughing,

and torn bark (rotten

slabs of bread).

and the dark comes fast

in the park, where blades nestle

in branches, and the heaviest

squir­rel (god; king) flicks his tail

like a clean sheet, spreading

it over the earth.

.

.

School dance

Late, when she’s tired and got two fingers

sad­dled in his breast pocket,

they return each other’s weight at the hips

and sway only as much –

the next one out to watch

each other across the floor,

feel­ing gen­tly unfolded, or cast

like spooled rib­bon ‘cross the space.

The silk tongue run­ning out –

Before, a few of them decorated,

fin­ished early and hungry

and dressed. And one might’ve gone

to the win­dow and won­der how much air

to let in, how much wind it’s taking

to bend it.

That orange is undercover.

"That orange is undercover,"

Look for the clearings.

Where is Waldo?

I know the strat­egy. Keep the col­ors of the crowd var­ied yet repeat­ing, so the page washes gen­tly together.  Place Waldo in a clear­ing, right out in the rel­a­tive open. Then, while you’re bogged down in details–your eye slid­ing down the limbs of a dog pile, peek­ing under bleach­ers and between the legs of clus­tered cheerleaders–Waldo ambles by, fat chin in the air, and vanishes.

He never stops for a story. He is a tourist, not one of these self-reflective participant-observers try­ing to brush shoul­ders with The Peo­ple. What you’ve gotta do is hold the page at arms’ length, blur your eyes, and look for the clear­ings. It’s a lot eas­ier than Magic Eye, which is impossible.

Using this sim­ple method, I guar­an­tee you can find Waldo in 3 sec­onds (tops) every time. His world tour will zip by like a breezy, well-edited slide show.

Take, for exam­ple, his recent trip to–or, rather, through–land­locked Laos. He skirted foothills and traced rivers, set­ting wilder­ness between him­self and the urban throngs. I unfo­cused my eyes and there he was, wet­ting his ankles in a paddy field, leav­ing a mod­est wake. Where indeed.

I called to him. I called loud and clear, punc­tu­at­ing ‘Wal’ and ‘do’; thrust­ing through their voice­less con­so­nants. Maybe the word sounded native, because he paid no atten­tion. He kept grin­ning with that ter­ri­ble face.

I don’t think he has any­thing worth look­ing at in that back­pack. A man like him has destroyed all appre­ci­a­tion for a ‘good read’. No use for escape and no keep­sakes. He thrusts his hand through the flap with­out low­er­ing his chin and pulls out a neatly bun­dled change of socks. He has never held a ticket.

One thing I believe he could do is dance. He’d be the per­fect stu­dent of mod­ern, or jazz–never overthinking-or-trying. He might be a bit wooden, but so cer­tain of limb that you’d won­der if we just couldn’t rec­og­nize true grace.

You’d rec­og­nize him if you saw him. Then again, you prob­a­bly saw him and just didn’t know.

ocean barber

*UPDATE* Ocean Bar­ber is avail­able here, through us *UPDATE*

I am glad to finally house this col­lec­tion somewhere.

<3

Return flight

Two poems writ­ten on the way back.

1. Hear­ing and wanting.

Pump­ing a straw between the plas­tic throat of his lid,
his wife said, oh, it sounds like you’re moaning.

One hand com­presses the blinds, tugs the fold­ing organ;
a hid­den twig lat­tice;
a three walled paper flap;
a mouth a throat.

A cold light crouched elbow to toe inside;
a box left at her friends house clicks on and off, clicks
drag­ging pic­tures between its dry cells.

In hel­mets, body­suits, drawn over with glow-in-the-dark
pen, free­ways pump­ing light in cir­cuits
from ear to ear.

The cos­tumes of men who fight in our dreams.
The cos­tumes of peo­ple with our faces, gray, vis­ited by
our faces on sets and, later, screens.

Begin­nings, like water­cold fan­tasies, unsure
but promis­ing note to note. Not really
believ­ing, but pump­ing the air, for the fin­gers, first.

It could be that you were bet­ter when you started,
and could be bet­ter if you start again.

Pump­ing a straw between the plas­tic throat of his lid,
His wife said, oh, it sounds like you’re moaning.

2. Want­ing and still wanting.

the bull’s skirt
braid that sags from his chin
the dou­ble skull, the soft open
nos­trils. He took him by the ring
and moved it neatly
like a spoon across the tongue,
imag­in­ing the pull feels some­thing
like sen­si­tive cor­ners in the jaw.
It turned him, the bull turned him over
And stabbed widely with each horn
Like a fish flap­ping dry.
In the yard it spills hay from
Truckbeds, slumps against loose piles.
He comes back to feed and touch
Again, and feels his fist inside a nostril.

Easy as 1–2-3

goat-door.jpg

1.
Did you know that Prob­a­bil­ity The­ory didn’t exist until the 17th cen­tury? Up until 350 years ago (give or take) it was incon­ceiv­able that we could mea­sure the like­li­ness of an event and then express this like­li­ness in num­bers. I was shocked to learn that this was so recently out of mind’s reach for us.

I went to hear NPR’s Math Guy, Keith Devlin, deliver a lec­ture on his most recent book, The Unfin­ished Game. Devlin reminded me of the guys from Radio Lab, com­mu­ni­cat­ing “advanced” con­cepts to diverse audi­ences with the help of dif­fer­ent media. His book claims that a sin­gle document–a let­ter between Blaise Pas­cal and Pierre de Fer­mat–changed the field of math­e­mat­ics and rad­i­cally trans­formed the way peo­ple think and reason.

The story I heard goes like this: Early prob­a­bil­ity was lim­ited to gam­bling, where, for exam­ple, it was com­monly known that the odds of rolling two sixes is 1/36 (I had to look that up just now). Deter­min­ing odds in a finite set­ting was one thing, but apply­ing this kind of logic to messy human behav­ior was (and is) alto­gether different.

For cen­turies, a by-our-standards sim­ple prob­lem con­founded schol­ars, who rou­tinely failed to solve it. Say two guys–Albert and Bernie–are play­ing a game of stakes with 5 rounds. The first to win 3 rounds takes the pot. At the end of round three, Albert has 1 win and Bernie has 2. For some unknown rea­son, they have to call it quits and part ways, never to resume to game. With­out a clear win­ner, how should they divide the pot?

Well, if you work out all the pos­si­ble sce­nar­ios for how the game could have pro­ceeded (there are only 4), you find that odds are 1:3 in favor of Bernie tak­ing the pot. Albert’s chances of win­ning are 1 in 4; Bernie’s: 3 in 4. So, Albert should take ¼ of the pot, Bernie: ¾. DUH Blaise!

Until 1654, math­e­mati­cians claimed that this was an unsolv­able prob­lem; the ques­tion of how to divide the pot of an unfin­ished game was impos­si­ble to answer. While strug­gling with the impos­si­ble, Pas­cal sought the help of Fer­mat, the most respected math­e­mati­cian of his time. And, after some cor­re­spon­dence, Fer­mat (remark­ably) arrived at the solution. !!!.

Pas­cal still couldn’t com­pre­hend the solu­tion even after it was spelled out for him. He whined and con­tested and devel­oped a more com­pli­cated (and less cor­rect) solu­tion. As Devlin repeat­edly pointed out, peo­ple sim­ply didn’t think this way. Sure, they could draw on past expe­ri­ence and data and make rea­son­able pre­dic­tions, but they didn’t bank on their pre­dic­tions; they didn’t mea­sure and quan­tify data, then cal­cu­late out­comes and pre­scribe behav­ior. Not like that, anyway.

Schol­ars once thought non­de­ter­min­is­tic events (those con­tain­ing ran­dom­ness and vari­able fac­tors) were the mys­te­ri­ous yet-to-be-unfolded ways of whatever’s-in-control. The belief that the future was out of our hands, impos­si­ble to pre­dict, was pow­er­ful enough to block or con­tra­dict the logic of basic prob­a­bil­ity. Belief and logic aren’t so dif­fer­ent: they’re wed, for bet­ter or worse.

When I try to put myself in that mind­set, not tak­ing for granted the world I was raised in, I can almost feel the logic. The future belongs to Fortune–it can’t be com­puted. It would be arbi­trary, silly, unfounded to divide the pot accord­ing to an unknown future–according to noth­ing. Sud­denly, sooth­say­ers, palm read­ers, and folk almanacs don’t seem so cocka­mamie. What more appro­pri­ate weapon to wield before the absur­dity of For­tune than, well, absurdity?

2.
Super­sti­tions learn from metaphor, emu­lat­ing the way words leap from sense to dis­con­nected sense. Our minds are full of things we’ve made up; rela­tion­ships that don’t exist; sky­scrap­ers with­out skeletons.

Since I can remem­ber, my par­ents have anointed my fore­head with oil. On the first day of school, Dad with the squeeze bottle–the same oil used to rub beach tar from our soles. Mov­ing out, Mom with the extra-large, Extra-Virgin Olive. Spilled it on the tile and my dog licked it up. Gen­tly lift the bangs and two quick strokes with the thumb. Don’t exhale ’til it’s done. Don’t wipe ’til you’re gone.

3.
For pro­tec­tion from bad things, do the fol­low­ing with­out fail: Adopt an old dog. Dry out his eyes when he’s dead and tie them to your left wrist. Write a let­ter to your sweet­heart. Write it again with Chee­tos fin­gers then lick it clean. Sing the Prayer of Jabez out your base­ment win­dow as long as it’s rain­ing. Sing it with the water in your mouth.

Do it with­out fail. In doing so, you will erase your credit his­tory. Count your mutual funds, clip the weather reports, apply for loans that aren’t FDIC insured. Go back to school.

For pro­tec­tion, for money, for love: climb the golden arm and be sure the cam­era is ready. Don’t call and don’t wait. Always get the idiot’s insur­ance infor­ma­tion. For secu­rity, for friend­ship, for suc­cess: join the Wall Street Choir, become a young pro­fes­sional, have luck, have tim­ing, have tal­ent, will travel.