Monthly Archive for April, 2009

A personalized retreat.

picture-1To start, you make your­self a sand­wich. You hold it like a foot­ball, stand in the wind, and win­now the meat from the cheese, let­ting both fall limp to the sand. This is to acknowl­edge your kin­ship with the wilted kelp, which also falls that way.

Done with greet­ings and offer­ings, you set the table, face North, admit day­light and dis­cover a knob. It seems like snare, but the gods aren’t here to trap you; not today. The knob gives heat.

You put on your glasses and tuck a crowd of feath­ers behind your left tem­ple. Now blow the man down.

There is no hot water, so you float tea bags in old rain pud­dles. You’re deter­mined to see this thing through, alone. You won’t drop your skirt for any­one tonight, though you might lift it over your head and make eyeholes.

The waste bas­ket is empty—there, you’ve done it! A first beau­ti­ful line. You unfold the futon and wait. A dis­ease in the feath­ers catches your ear.

You walk out­side. It’s so dark it doesn’t seem worth it, but you think again and go inside to get the broom. You bring it out and sweep the ground, which sounds dif­fer­ent than the floor. The ground is like cracked bar­rels, and isn’t that why you came here in the first place?

You imag­ine the broom tracks in the morn­ing, like a visit from teething whales. This gives you the willies and you stop sweep­ing. Instead, you plan your morn­ing and, while you’re at it, the rest of your life. You plan to live only on apples, and on the charm of apples. That should take care of what­ever this 24 hour retreat does not.

At some point you put on sweat­pants. If your waist wanted to touch things at the stars’ radius, well bloom­ing hell, it could. Sweat­pants aren’t giv­ing, just more per­mit­ting. The rest of your clothes are fine.

In one repeat­ing motion, you make a chair with your body then try to sit on your­self. After you’ve made your­self hun­gry, you know it’s time to go.

We all want to know.

In fifth grade we hung around after school to play Sumo. We’d stuff the teth­erball under a sweat­shirt and charge ‘til the rope snatched us back. Cuffed by the invis­i­ble clothes­line. Invis­i­ble is soft, I remem­ber think­ing, while my stom­ach scaled my ribs.

Now that it’s allowed, my love’s going every which way. And each way whole, like a teth­erball sail­ing hard and light. I feel that small and hilar­i­ous, now. I want knock you over with my belly, painfully and in short range. But of course you’re all a step too far and I’m just wrap­ping myself to a pole.

There are four of you. I had to count. There is one other, pos­si­bly, and then all of you who already know it any­way. I am giv­ing it bound­lessly. Not reck­lessly, but if you’d let me. It’s why I keep cof­fee, wine and choco­late on my nightstand.

I feel expen­sive, fat with unan­swered love. My soli­tude high-ceilinged and fur­nished. I take deli­cious self-portraits, now, like a saint. Not like the years in cloth and pen.

And what’s courage? I would’ve said devo­tion, and now I sup­pose I would, too. It’s in me still, charg­ing it’s slack.

The Editor’s Five Stages of Mourning

I read it,
‘a burger
deeper than

lan­guage or
affec­tion.’
Words are laid

hair by hair,
like sewn fur.
No one lifts

the goat’s coat
to see the
handiwork,

and even
there there is
a lining.

Why can’t the
won­ders be
sep’rated?

No one wants
to split the
lark, so we

round the words
up, bury
our necks in

fur, never
know­ing what
we misread

was hunger.