This morning I was strangely affected by an episode of Iconoclasts–a Sundance television series–featuring Dave Chapelle and Maya Angelou. They were both so intentional with their words, so reverently guarded in their interactions. Chapelle had heard Angelou speak in Dayton, Ohio just weeks after walking away from a 50 million dollar contract with Comedy Central, and he said it was like she was speaking only to him. Her words resonated. He requested that they be paired for the show. Angelou continually referred to him as grandson and listened respectfully while he explained why he chooses to use the n-word.
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It was brilliant. Who wouldn’t be curious about their conversation? Angelou spoke in her famously direct and punctuated manner about words; how they are momentarily audible or visible “things” that hang invisibly in the air, or get in our hair and clothes and furniture; how words have a core that lives on. Chapelle talked about how certain words can become culturally exclusive; how they can take on new meanings in different mouths and are informed by the speaker’s intentions. I got chills.
There are profound similarities in their professions and convictions that only become plain when the two are brought together. Angelou works privately, delving inwards, and requires a cleansed mind and space. Chapelle thrives on people and relies on instinct and connection with the audience. Yet both operate with a belief in the universality of every human story. Both have channeled very serious convictions and very real anger into frank and accessible works of art.
An iconoclast being an 8th century heretic of the Greek Orthodox church, Angelou mined the word for ways it might apply to them. She eventually concluded that they both allow themselves to be compelled by the truth as they see it; they shatter cultural icons before the public eye. An overstatement considering both are cultural icons themselves, but nonetheless convincing. In the show, they came across as principled and misunderstood. She led Chapelle through her living room, offering a story for every painting on the wall, and he drank it in, looking sad and grateful.
I wanted to wear that same look in my eyes. Sad and grateful: it’s a feeling that comes like the kiss of life, and one I used to carry for days on end. It’s been a long, dry spell. Watching the two of them connect, and mean it, made me feel thirsty. It was like being in church when the reiteration of wisdom still held power for me. And it made me wonder who I would request if I was placed in a similar situation.
Stay tuned for the fruits of my wondering.