Multiplication

To design is
To plan and orga­nize,
In order to relate
And to control

In short it embraces
All means oppos­ing
Dis­or­der and accident

There­fore it sig­ni­fies
A human need
And qual­i­fies man’s
Think­ing and doing.

Josef Albers
Josef Albers was an intel­lec­tu­ally dri­ven artist obsessed with color per­cep­tion. His paint­ings were cre­ated with palette knifes, no tape, and the col­ors never over­lap. The sci­en­tific pur­suit of color was an obses­sive and moti­va­tional task in both his teach­ing, paint­ing, and print­ing. For­ma­tion: Artic­u­la­tion, pub­lished in 1972 as a set of two boxed port­fo­lios, con­tains thirty-three screen-printed fold­ers and each folder con­tains one, two, or four images. The edi­tion is on 1,000 copies and each set is signed by the artist on the title page.

The value of Albers work and per­spec­tive is incal­cu­la­ble. His respect and under­stand­ing for color, a real­ity, a wave­length that we are in per­pet­ual inter­ac­tion with has changed, and con­tin­ues to change, the way we see, the way we observe our rela­tion­ship with the phys­i­cal world. This is per­haps entirely embod­ied in the rep­e­ti­tion and poten­tial for research inher­ent in the print­mak­ing medium. Although Albers work or the­ory is not depen­dent what­so­ever on the medium, it is enhanced and ever-present within it. What I mean by this is, color and form are the pri­mary con­cepts print­mak­ing dares to exper­i­ment with in a rit­u­al­is­tic, sci­en­tific method. Thus, each user is reminded or exposed to the rev­e­la­tion of color and form, it’s variables.

saletnik_fig2large.jpg
I have been think­ing about the impact of color. Not in an overtly emo­tive or spir­i­tu­al­ized sense, like Rothko, but in the sense that it is quite lit­er­ally effect­ing our phys­i­cal­ity. That some­thing could do that.

What’s more, I am think­ing about this man’s life and how it was lived on the prin­ci­ples of design. I want to live a whole life, which rec­og­nizes, appre­ci­ates, and jus­ti­fies think­ing and doing. Not because the uni­verse requires it, but because it is the best feel­ing ever to be awed and moved by rev­e­la­tions, silences, and production.

If there were ever an idea that Exis­ten­tial Media were to jus­tify itself with, it would be this:

To dis­trib­ute
Mate­r­ial pos­ses­sions
Is to divide them

To dis­trib­ute spir­i­tual pos­ses­sions
Is to mul­ti­ply them.

Josef Albers
I ask you not to think of this, just now, in terms of reli­gious spir­i­tu­al­ity. But rather, think of it as the intan­gi­ble, the rela­tion­ships between liv­ing things, the Inter­net. When we share “truths,” we only mul­ti­ply their good­ness through interaction.

2 Comments »

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  1. “what are you smil­ing about?”

    “i was just notic­ing the yel­low of the shirt with the pink of the wal­let. it’s nice.”

    Comment by Alisha — September 18, 2007 #

  2. This is Exis­ten­tial Media.

    Comment by Matthew — September 18, 2007 #

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