“Can I get a copy of those recordings?”

This morn­ing in the gallery one of my pro­fes­sors said that they really enjoyed the show.

Then they asked, “Can I get a copy of those record­ings? I really enjoyed Lis­ten­ing to them.“

Okay, so I cut that down a lot. What really hap­pened was that after they asked for a copy I said,

“we’ll see.“

I think this may have taken them off guard because they returned this com­ment with fur­ther clar­i­fi­ca­tion that they wanted the writ­ten poems and I said,

“Oh, like the writ­ten words.“

This resulted in a non-verbal ges­ture towards the pieces, from which I under­stood that they want an audio record­ing com­pi­la­tion. And by this time I just had to answer back,

“Okay,” to save us both.

This made me feel really strange, like the feel­ing of leav­ing Costco. You got what you wanted, but you think you may have been taken advan­tage of some­where between the aisles and reg­is­ters. It was so long. You may have died in there.

The sam­ples weren’t that good.

This is an exact par­al­lel to what I am expe­ri­enc­ing in this moment. Exact. So I am going to present you with these ques­tions I have and maybe you could comment.

Should there be unlim­ited access for all to the audio pieces in the show?

Do we want to walk in on some­one lis­ten­ing to them?

Will it live on if we don’t? Do we want it to?

Are we for sale?

If we are not should we cre­ate a few copies for cer­tain peo­ple?

But they can burn it? But they are trust­wor­thy.

Should we sell a spe­cial edition?

Ini­tially I felt very naked and cheap.

I felt like say­ing, “what makes you think it is avail­able?“

I am not sure why I had this reac­tion. I am not sure if I should feel really bad about it. When I think about how impor­tant it is for me to lis­ten to cer­tain audio pieces, I want to make it acces­si­ble. Maybe we should have it posted on this blog as archives of an event. I like that. Like The Next Big Thing or something.

I really want to know what you think. Who­ever you are.

2 Comments »

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  1. maybe in the L there can be an infor­ma­tion sheet for peo­ple to write on if they want to inquire about copies of the pieces. i doubt there will be a bunch, but maybe a few. then we could fig­ure out a way to sell them, i think request­ing money isn’t a bad idea. we could also tell them that it will be done in a month or some­thing, which could give us some time to brainstorm.

    maybe we could make copies of them on a tapes? or make a lim­ited press of a record?

    i really like the idea of peo­ple get­ting a unique copy somehow.

    any­way, that’s just my ini­tial thoughts.

    Comment by jordan — March 21, 2007 #

  2. Here is what I am think­ing, we set up a pod­cast­ing blog and put all the audio (and pos­si­bly visual) pieces on there. We could release them on a sched­ule (from dra­matic effect) and have feeds so peo­ple could sub­scribe to our pod­cast. The blog could be a con­tin­ual thing we grad­u­ally add to. It would be great. We could also (in addi­tion to or instead of) make a set num­ber (like 25) lim­ited edi­tion cds and sell them. These are a few ideas for a more dig­ni­fied approach to this. f.y.i.

    Comment by Matthew — March 21, 2007 #

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